ELECTROGOTH - MAD MIRROR LAND (2013)
1 week ago
This is the story of my life. A life lived behind a mask. A life lived in books and desperately dull for the most part. There is now, I believe, a Facebook page dedicated to the "Most Interesting Man in the World", the mythical figurehead of a Mexican beer advertising campaign. I am his bipolar opposite, his boring twin, the least interesting man in the world. I've hardly ever had any real adventures or traveled much (by modern standards), barely known anyone famous or slept with many women. Other than my marriage to a truly remarkable one, there's been nothing out of the ordinary about my life in any way.
I've decided to live-blog the story of my life, which means I'll be writing the rough, or "vomit"-draft, online from now on. I suddenly feel as if I'm typing in a glass shop-window like "Aunt Julia and the Scriptwriter". Please feel free to make any comments, story suggestions (obviously, I feel unconstrained by such things as facts; why should you be?), or typo corrections you like. I shall ignore them, of course, but it will at least give both of us the illusion, however brief and baseless, that someone is actually reading our words in this empty, echoing, lonely void.
I suppose at this point I should pause in my sputtering narrative flow to correct a few modern myths about vampirism. It is in no way a glamorous existence. Quite the reverse; it is a degrading and highly inconvenient curse. Let's consider the following myths, which I see retailed constantly in films and TV shows and books, one at a time:
The moment I make friends with a woman, as Henry Higgins might say these days, a flurry of embryonically flirtatious messages begin to fly back and forth between us (in fact, emailing is in itself rather like two embryos communicating by Morse code from the womb, isn't it?) And then at last, after my words have made Vera cry and "LOL" and shed her every inhibition, though like all the rest of her generation she obviously possesses very few of those indeed (her drug regime, which I look forward to sampling at some future date, consists of four years on Paxil and Abilify), the inevitable subject arises: my wife.
But it was not to be the last I saw of Randy Blanchard. In fact, it was he who was inadvertently responsible for curing me. However temporarily.
"I was born in the desert." Thus began the comic strip I'm best-known for, "Rock Opera". Lacking the knack of Tristram Shandy to precisely recollect the instant of his own birth, I've always seen my own as a long, slow, amnesiac journey from the shadows; from a void, a desert of nothingness, into light and noise. And of course, pain. Originally "Rock Opera" was a short story, then when it was published as a cartoon in the "Unicorn Times", a local underground newspaper here in Washington DC, I changed it to third-person and deleted the reference to my tail. Later I restored the line, "They amputated my tail" to the reissued version in Heavy Metal Magazine (also changing it back yet again to its original first-person) to emphasize the character's alienness.
The day we returned home to America (the British never refer to the "United States"), I started school. And entered Hell.
Copyright 2010 Rod Kierkegaard Jr